The windows in the
shop’s paneled front wall raked narrow strips of
light across the floor. Like the bare bulbs dotting
the ceiling, they did little to illuminate the boxes
stacked, dark and dust-free, on the floor-to-ceiling
walnut shelves.
Albion
Cole had been unsure about coming here. The business
card listed no name for either the shop or the
person he was supposed to ask for. Just an address
in the older part of town, printed in a script so
unique it looked handwritten, yet so regular he knew
it wasn’t.
“If
anyone can get you writing again,” his agent had
assured him, pressing the card into Albion’s hand
and pushing him out the office door, “it’s this
guy.”
Now Albion showed the
card to the gray-haired man sitting behind what
should have been a counter but was instead a
leather-topped Gillows desk. The man
ignored the card. Selecting a box from a shelf
behind him, he
motioned for Albion to follow
and led him
to an alcove cordoned off by display
cases. A child’s school desk filled the space, the
kind where the writing surface was welded to the
chair. Albion resisted the urge to raise the desk’s
top and peek inside.
The shop’s proprietor
placed the carved mahogany box next to a stack of
paper on the desk. Opening it, he took out a
fountain pen as black as ebony
and handed it to Albion. “Write,” he
directed.
Albion
had described the block to his agent as the words
running away, giggling and taunting, as soon as he
picked up a pen. Like the popular kids on a grade
school playground.
It was
no different here.
The
proprietor jabbed a rawboned finger at the page.
“Write!”
With a
sigh, Albion posted the cap on the end of the pen’s
barrel – it snapped into place with a metallic click
– and pulled the paper toward him.
Impatient, the
proprietor grabbed Albion’s hand and forced the nib
onto the page. As
a
ragged streak of black marred the
paper, images flooded into Albion’s mind. Clumps of
snow melting to a dirty brown on empty sidewalks,
drifting against brick buildings stained gray from
soot and car exhaust. Wrought iron streetlights
with bulbs that buzzed and flickered and burned out
with a tungsten-singed flash. A girl in a long,
sable coat carrying a caged jackdaw in one hand and
running out a spindle of twine with the other.
Albion
knew exactly who she was, and what she wanted, and
why she couldn’t have it.
Lost in
getting the words on the page, he didn’t notice the
proprietor slip out of the alcove or the dim light
in the shop grow fainter as hours ticked into night.
#
“How
much?”
The
proprietor looked up, blinking at Albion over
half-moon reading glasses. The neon sign from the
bar across the street reflected blue and red in the
lenses. “I’m sorry?”
Albion
held up the box, the pen nestled inside. “I’d like
to buy the pen, but I couldn’t find a price on it.”
“Ah.”
The sound was well-worn, fluid, like the way the
proprietor closed the ledger that covered most of
his desk, slipped the glasses from his nose to his
vest pocket, and leaned back. His chair creaked, the
sound of dovetail joins and old wood glue. “It’s not
for sale.”
“Not
for sale?”
“No.”
“Do you
have another one?”
The proprietor shook
his head. He didn’t say a word, didn’t try to stand
or even shift in his chair, yet Albion could feel
him reaching for the pen. Albion
tightened his grip on the box, the
edges biting into his palms despite layers of
varnish that made them appear rounded and smooth.
“It
can’t leave the shop,” the proprietor explained.
“I’m sorry.”
Albion
took a step back. The story still echoed in his
head, and his hand still felt warm from the pen.
The
bell on the shop’s door jangled, but when Albion
looked over his shoulder no one was there. Turning
back to the proprietor, he set the box on the desk,
fingertips pressed flat and white against the wood,
and slid it into the empty spot between the antique
brass receipt spike and the nameplate that read
simply, “Proprietor.”
#
“I have
to close now.”
Pages
were stacked around Albion, on the desk, on the
shelves, the words blurred to unsteady lines in his
rush to get them down. “Just a little longer,” he
begged. “Let me finish this scene.”
“I’m
sorry.” The proprietor pulled the pen from Albion’s
hand, capped it, and placed it in the box. “You can
come back tomorrow and work some more.”
“If
you’d just sell me the pen—“
The
look on the proprietor’s face cut Albion short more
than his words. “I’m sorry, but –”
“I know, I know!
It’s not for sale.”
Snatching the pages from the desk and
shelves, Albion stuffed them into his messenger bag
and followed the proprietor to the front of the
shop. The older man didn’t follow him into the
street, but waited only until Albion was on the
other side of the door, and then shut and locked it
behind him.
#
Albion
fought the bookcase into position beside his desk,
first see-sawing it across the apartment, then
bracing his back against the side and pushing with
his legs. Its shelves were empty, the books that had
filled them stacked in twos and threes on the living
room floor or dumped in a pile on the couch. But the
bookcase was big – taller than Albion and made of
oak – and balked when he tried to slide it across
the carpet.
Finally, though, he shoved it into place where he
wanted it. With the others already there, it formed
a wall of shelves around the desk not unlike that at
the proprietor’s shop. It even blocked the overhead
light, draping the newly formed alcove in a
half-light that made it harder to see but easier to
write. With a satisfied sigh, Albion dropped into
the chair.
He’d faced the
bookcases inward and filled the shelves with reams
of Beckett Cambric. Thumbing
the first few sheets from the nearest
one, he angled the pages
to the left, plucked a vintage Parker
from the pen stand at the top of the desk, and
re-wrote the last paragraph he’d gotten down before
the proprietor had forced him to go home.
The
words felt good going on the page, the nib smooth
and flexing on the downstroke. Albion relaxed his
mind, let the bookcases around him fade into the
gated walls of Kitai-gorod, thick and tall but
truncated decades ago by a wrecking ball’s swing.
The
words stopped when he reached the end of that
paragraph. Not petering out, not drifting away. Just
not there.
Albion
set that page to the side, breathed deep and slow,
and wrote the paragraph again. Rewrote the last line
a second time, a third, a dozen. Filled another
page. Tacked a new sentence, clumsy and out of
place, at the end, marked through it and tried
another. Wrote a paragraph that went nowhere,
scratched it out, tried again, and again, and again
until the nib ripped through the page.
All
around him, the stone walls of Kitai-gorod dissolved
into bookcases, the alcove that a moment before had
mimicked the proprietor’s shop now nothing more than
a corner in his apartment between the eat-in kitchen
and the bedroom door.
#
Albion
had learned to tell the proprietor’s footsteps when
the man was coming to chase him out for the day from
the ones where he was simply threading the maze-like
stacks on some unknown errand. The ones he heard
now, muffled from sharp to shuffling as the
proprietor went from tile to carpet, were the
latter.
Albion
had finished the scene from the day before, the one
he’d been unable to write in his own apartment, and
several more besides. Nearly a whole chapter. As
soon as he’d picked up the proprietor’s pen, the
words and images had come back as clear as if he’d
never forgotten them. The book was half done now,
but that still left half to write.
And the
shop’s hours were beginning to chafe.
Albion waited until the
proprietor’s footsteps faded to a whisper, then
tucked the pen case into his inner pocket. The one
where, in times past, men would have carried a
wallet, but where they now kept sunglasses or a cell
phone. On the desk he left a note
apologizing and a check that, when cashed, would
empty his bank account.
Making
his way to the front of the shop, he inched the door
open, muffling the bell with his hand until he was
on the other side.
Stepping out from behind a display case, the
proprietor watched him go, but didn’t chase him or
call the police or yell for Albion to come back.
Made no move to stop him at all.
#
The box
looked different in Albion’s apartment. The harsher
light exposed the uneven stain on its top and sides,
picked out the edges where the veneer had curled
back and chipped.
Albion
didn’t care.
He
opened the box, smiling at the pen inside.
And,
yet, it seemed different, too.
At the proprietor’s
shop, the pen had swallowed the light, its cap and
barrel a black slash against the pale silk lining
the box. Here, in Albion’s apartment, it seemed
fainter,
more gray than black, the
rhodium-plated clip dull and unreflective.
And
when he picked it up, it seemed… not so much lighter
as less substantial. Less solid. If he concentrated,
he could see the box behind it, and the maker’s mark
silkscreened onto the cloth.
A trick
of the light, he thought. His imagination.
He
pulled at the cap, but his fingers slipped off it.
No, Albion
thought. Not off it.
Through it.
And, yet, he still
held the pen in his hand. It was real. It was there.
It was his
imagination.
Gripping
the cap in his fist, Albion tugged it
free.
It fell
to the desktop, and the pen with it. Ink splattered
onto the page from the nib, dime-sized drops that
seeped through the fibers like a poorly made
Rorschach test.
Rust scraped from the iron grate as
the girl pulled it wide.
The
line slipped into Albion’s mind as soon as the ink
hit the page. He reached for the pen, but his
fingers passed through it as if it wasn’t even
there.
On the ground beside
her, the jackdaw paced in its cage, flapping its
wings and pecking her fingers when she tried to drag
it into the tunnel.
Albion grabbed a
Sheaffer from the pen stand and yanked
the cap off, desperate to get the
words down before they were gone.
“Let me help you with that.”
Calloused fingers took the cage from her and set it
just inside the tunnel – .
Door? No, not door.
Opening. Entrance?
He raked his fingers through his
hair, trying to remember how the line had gone.
Rough fingers?
Blistered? No, something that started with a C.
Coarse?
“Damn
it!” Albion threw the Sheaffer across the alcove. It
hit the edge of a bookcase, sixty-year-old celluloid
shattering against wood. “Damn it!”
On the
desk, the proprietor’s pen grew fainter, like a
movie projected on dust motes in the air. As it
faded, it took the story with it, erasing the words
and images of a girl wearing a sable coat as she
wandered the deserted streets of Moscow.
#
The proprietor’s desk
had long been uneven, its legs worn to different
lengths by years of moving it from one storefront to
another. As a result, the desktop slanted. Not
unpleasantly, but enough that when the pen came
back, it rolled
until it hit the ledger, curling the
edge of Albion’s check that stuck out, uncashed,
from between the pages.
The proprietor
already had a new box waiting for the pen. Marble
this time, from Tuscany. He’d lined it, as always,
with cotton batting and silk. Placing the pen
inside, he set the box on the shelf behind him, in
the brass-edged slot marked “Franklin-Christoph
Model 40.”
THE END
Andi
Newton is a freelance writer, editor, and 3D graphic artist
from Greensboro, NC. Her short fiction has appeared
in magazines such as The Storyteller and
Tales of the Talisman. You can visit her website
at
www.andinewton.com.